June 8, 2025
It is me again. Like the morning rain. Two and a half rabbit holes kept me busy. One is the notion of Antimemetics. The other one is the defense of AI Slop. Okay. And the half is Cute Accelerationism. Nah.
I first stumbled upon the term in Johannes Kuhn's great newsletter. Then i finally started reading the New Yorker article by Gideon Lewis-Kraus about Nadia and i saw Artnet and went to the Dark Forrest Collective where i saw Lil Internet. And here is the book.
So after realizing that "It was foolish to hope that the radical and anarchic expansion of the public sphere—“adding more voices to a room”—would prove out our talent for collective reasoning" she considers herself one of many “refugees fleeing memetic contagion"
I guess the Teratologies Substack brought me here. Let me quickly dismiss the idea of Cute Accelerationism even if i am all up for love and PC Music and Spike Art Quarterly. But the concept of cute seems not to be laid out properly and maybe i have just seen to much cutification of violence in the context of war or maybe just check the project Carlo recently sent me.
I hope it is okay to screenshot this conversation even if it is out there in the open. Dylan has written a Defense of AI Slop and while i still have not yet come to a final conclusion i am interested in the ongoing debate. Bookmark for later. Okay.
There is more in the New Yorker article mentioned above. Just quoting here: "Recent discourse attending to a “vibe shift” has tended to emphasize a renewed acceptance, even in erstwhile liberal circles, of obnoxious or retrograde cultural attitudes—the removal of taboos, say, on certain slurs. Another way to look at the vibe shift is as a more fundamental shift to “vibes” as the unit of political analysis—an acknowledgment, on the part of liberals, that their initial response to an informational crisis had been inadequate and hypocritical. The vibe shift has been criticized as a soft-headed preference for mystical interpretation in place of empirical inquiry. But a vibe is just a technique of compression. A near-infinite variety of inputs is reduced to a single bit of output: YES or NO, FOR or AGAINST. It had been close, but the vibe shift was just the concession that AGAINST had prevailed." Okay.